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Great Conductors of the Past" (1994)
"The Art of Conducting 1 - Great Conductors of the Past" (1994) Subs. español
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204,977 views Jun 12, 2018
El Arte de Dirigir (!994)
Una compilación de actuaciones orquestales aclamada por la crítica , El Arte de Dirigir celebra la excelencia en la dirección de orquesta a lo largo del siglo XX. Las imágenes de archivo reveladoras se complementan con los recuerdos de primera mano de estos legendarios directores de orquesta y de algunos de los músicos más eminentes de la actualidad. Dieciséis de los mejores directores del siglo XX se presentan en ensayos y actuaciones: Sir Thomas Beecham, de la Royal Philharmonic; Arthur Nikisch con la Filarmónica de Berlín; Richard Strauss con la Filarmónica de Viena; Felix Weingartner con la Sinfónica de París; Fritz Busch con la Dresden Staatskapelle; Bruno Walter con la Orquesta Filarmónica de Berlín y la Orquesta del Festival de Vancouver; Otto Klemperer con la Philharmonia Orchestra y la New Philharmonia Orchestra; Wilhelm Furtwangler con la Filarmónica de Berlín; Arturo Toscanini con la NBC Symphony; Leopold Stokowski con la BBC Symphony y la Filarmónica de Nueva York; Serge Koussevitzky con la Boston Symphony; Fritz Reiner con la Orquesta Filarmónica de Nueva York y la Orquesta Sinfónica de Chicago; George Szell con la Orquesta de Cleveland; Herbert von Karajan con la Filarmónica de Berlín; Leonard Bernstein con la London Symphony, la Vienna Philharmonic Orchestra y la New Philharmonia Orchestra; y Sir John Barbirolli. El material adicional incluye 45 minutos de entrevistas nunca vistas con Elisabeth Schwarzkopf, Hugh Bean, Isaac Stern y Suvi Raj Grubb. Con comentarios de John Eliot Gardiner, Isaac Stern, Jack Brymer, Sir Thomas Beecham, Yehudi Menuhin, Oliver Knussen, Suvi Raj Grubb, George Szell, Bruno Walter, Otto Klemperer, Hugh Bean, Werner Tharichen, Richard Mohr, Leopold Stokowski, Julius Baker Herbert von Karajan.
Music
Till Eulenspiegels lustige Streiche
Song 1 of 8
Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai
Song 2 of 8
Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo
Song 3 of 8
La Forza del Destino: Overture
Song 4 of 8
La traviata (Highlights): Noi siamo zingarelle
Song 5 of 8
Toccata And Fugue In D Minor, BWV 565
Song 6 of 8
Academic Festival Overture, Op. 80
Song 7 of 8
Symphony No. 5 in C minor, Op. 67: I - Allegro Con Brio
Song 8 of 8
ARTIST
Wiener Philharmoniker
ALBUM
Richard Strauss dirigiert eigene Tondichtungen (Vol.2)
LICENSES
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Music
Transcript
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132 Comments
rongmaw lin
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@Nicksonian
@Nicksonian
3 months ago (edited)
Thank you for this glimpse into the mind of the great George Szell. He lead the Cleveland Orchestra when I was a kid and although I never saw him conduct, I knew that he was a superstar in Cleveland. An incongruous place for a great orchestra, but Szell put Cleveland in the top five, and despite the city’s demise in the intervening half century, the Cleveland Orchestra remains one of the best in the world, and Szell deserves much credit for establishing that tradition.
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@patriciaazarias5258
@patriciaazarias5258
2 months ago
Thank you for compiling and adding this splendid video. For me, the great revelation was Beecham's utterly perfect Mozart. Took me by surprise, so delightful and profound at once.
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@lawrencejhutchinson
@lawrencejhutchinson
3 months ago
Just listen to the way Karajan guides the BPO in Beethoven's 5th (compared to the earlier versions shown) - absolutely thrilling! And Bernstein was the master of Shostakovich 5!
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@virgilioisaaccabreravelazq8842
@virgilioisaaccabreravelazq8842
4 months ago
Un gran documento acerca del proceso creativo en una orquesta y el papel que juega el director. Una mirada sobre una actividad que la mayoría de nosotros desconoce y agradezco que lo hayas subido, felicitaciones
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@BobACNJ
@BobACNJ
4 months ago
This was fantastic! Thank you for uploading this gem.
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@shubus
@shubus
2 months ago
Wonderful to see and hear all these great conductors do their thing. A priceless document.
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@andesecologyperu
@andesecologyperu
4 months ago
1:18:08 my favourite ! nice video, thanks a lot ! for all of us who deeply appreciate classical music this is brilliant
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1 reply
@pianistegolfeur
@pianistegolfeur
3 months ago (edited)
Voilà une série d'archives super intéressante, et qui devrait servir de modèle à tous nos débutants actuels, et dont il y aurait encore beaucoup plus à dire sur chacun d'eux ! Les témoignages sont ici essentiels et précieux.
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@johnbarry5036
@johnbarry5036
4 months ago
the transition from Walther to Klemperer banging his podium was hilarious!
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1 reply
@leonardogarcia1832
@leonardogarcia1832
4 months ago
Wow!!!…. Siempre quise ver estos videos y no podía porque nadie los subía con subtítulos….gracias!!❤🏅👏
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1 reply
@detectivehome3318
@detectivehome3318
1 year ago
1:55
This man suffered so much later in his life, but still continued to be a fabulous musician, in his own unique way. It's glad to see that he could once stand.
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8 replies
@MrPauloBelo
@MrPauloBelo
8 months ago
Aprendí dirección de orquesta con este vídeo, pero las técnicas aquí presentadas también ayudarán mucho quien desea dirigir coral.
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@bobsteiner9209
@bobsteiner9209
5 months ago
A wonderful compilation. Thanks for all your work putting this together. Plus a great opportunity to practice my Spanish!goodvibes
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@MusikPiratCH
@MusikPiratCH
4 weeks ago
Furtwängler is a pure genius and pure gold to watch and hear!
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@MrArdytube
@MrArdytube
3 months ago
Few people are sufficiently obsessive to listen over and over again to the same music performed by many different conductors. If one does this… many otherwise obscure musical choices become apparent. It is a fascinating experience to clearly hear these differences…. As I suspect the conductors themselves are able to do…, since they have to consider how they want the music to sound
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@markbrodie2784
@markbrodie2784
4 months ago
Best documentary I've ever seen on the great master conductors! Again Bravo Maestro!!!!!!!!!
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@josephdiluzio6719
@josephdiluzio6719
2 months ago
As a listener and a lit/crit prof, I really admire what the great violinist and concertmaster Hugh Bean opines about Klemperer and the great Philadelphia Orchestra's playing with he prefers.
He's not reticent or afraid to criticize a obvious Otto Klemperer's deficiencies while extolling the incomparable flexibility of Eugene ormandy and the Philadelphia Orchestra
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@beatlessteve1010
@beatlessteve1010
3 months ago
I love the anecdote Horowitz told about his debut in America was also Sir Thomas Beechem's debut and he conducted without the score and solo pianist and conductor from the first note were never on the same page, years later in London Beechem came to the concert and made sure he showed Horowitz that this time he had the score! lol
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@josephdiluzio6719
@josephdiluzio6719
2 months ago
Eugene Ormandy sorely needs to be represented in any future installment of Art of Conducting.
Four breadth of repertoire, conducting technique, uncanny ability to flex to whatever musical composition
Frankly he has few peers.
When I think of overrated egomaniacal conductors like Leonard Bernstein and George Szell, I can only Lament that the present critical faculté is so poor
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@davidc5191
@davidc5191
4 months ago
I love the way Strauss would grimace every now and then at something he doesn't like hearing, while otherwise conducing so laconically, especially as he's conducing at the height of WW2 and the Allied bombing campaign of Germany.
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@tommccanna7036
@tommccanna7036
4 months ago
The interview with Isaac Stern at the end is a great bonus. There always seems to be a twinkle in his eye. I particularly enjoyed his phrase "petulant vituperation."
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4 replies
@najialhasani
@najialhasani
2 months ago
Highly analytical, erudite , compassionate and utterly brilliant.. ! Thank you.
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@JoseMLopez-fb1ky
@JoseMLopez-fb1ky
4 years ago
Fantástico! Muchas gracias
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@richardwhitehouse8762
@richardwhitehouse8762
2 months ago
Fascinating. Thank you for sharing.
There are a lot of famous names here. Some I like, some not so much. I always struggled with Reiner and I find watching him terribly off putting. Glorious sound, amazing precision but somehow soulless. Ditto Karajan. Also, not sorry to see the end of the era of 12 basses in Beethoven. But so interesting.
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@nellimartorelli1314
@nellimartorelli1314
4 months ago
MARAVILLOSO DOCUMENTO !!! GRACIAS
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@hsh1950
@hsh1950
2 months ago
I had a modest career as an orchestral musician--too much performance anxiety and too little passion and skill at practicing. All that to say, I never would have had the stature to play under any of these giants. However, even if I had, I don't think I would have lasted 5 minutes under Reiner. Just watching Toscanini, I think he would have carried me along to be better than I was capable of.
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@helenepopulos2438
@helenepopulos2438
4 months ago (edited)
This video shows Brymer, Menuhin, Stern etc. admire the greatness of all these conductors and describe their fabulous techniques, their communication skills, their genial musicality, etc.
It is however amazing to me that when it comes to Karajan, it is his arch enemy, the BPO ex percussonist to whom has been given the right to speak and to utters his hatred ! According to him (and probably those who prepared this video) Karajan was not a conductor, not even an artist but a charlatan, a showman and a commercial !! And if that was not enough, they annex Schwartzkopf's interview after to add some more spice to this! This is utterly ridiculous, although the rest of the video is OK.
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3 replies
@markbrodie2784
@markbrodie2784
4 months ago
Wow all the true greats of the world of conducting! Geniuses all! Bravo!!!!
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@sammyal-doory5841
@sammyal-doory5841
4 months ago
Was Strauss bored, or was he just so efficient and wise in letting these excellent musicians play that he knew he only needed minimal gestures and eye contact to gain maximum effect?
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@canman5060
@canman5060
4 months ago
I have the DVD for this presentation. Vitally important reference material for present day young conductors worldwide.
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@patriciajohnston9569
@patriciajohnston9569
2 months ago
Samuel Barber wanted to meet Toscanini. He was told, if you want to meet Toscanini, meet Mrs Toscanani. So, he gathered his courage and went to their front door. Knocked. A man answered. He said, "May I help you?" (those were the days when you could answer your front door). Samuel Barber said, "I'd like to speak to Mrs Toscanni." Arturo said, "She isn't home. Can I help?" Thus began a beautiful friendship
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@ahdezdf85
@ahdezdf85
5 years ago
Mil gracias por el aporte.
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@oscarpolo6310
@oscarpolo6310
1 month ago
¿Hay más partes de este documental?
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@handle10810
@handle10810
8 hours ago
A moralist is more successful working with people than an immoralist🎉
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@marianneaisner6428
@marianneaisner6428
4 months ago
superbe documentaire ! merci
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@user-gu8zd8bt9h
@user-gu8zd8bt9h
2 months ago
all fo these guys are real grand masters of conducting, just L. Bernstein is little above yet ...
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@johnbarry5036
@johnbarry5036
4 months ago
"SING!" "Sing now!" Oh, I love that.
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@camilloflaim7242
@camilloflaim7242
2 months ago (edited)
I have seen that Strauss make like one metronomo for the orchestra; don't teach to orchestra how to play the music.
But i say that i like the music of R.Strauss
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@nicolasorellano1006
@nicolasorellano1006
4 months ago
1:39:55 min. Suspenso,no crescendo! 👏
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@nikolaoskal7438
@nikolaoskal7438
1 month ago (edited)
1:40:47 for the master of the masters.
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@C.Hawkshaw
@C.Hawkshaw
2 months ago
I like that the old orchestras were mostly male, wore short hair and suits. It makes them more like a machine.
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@buffuzo4201
@buffuzo4201
4 months ago (edited)
Fürtwangler and Bruno Walter were the greatest of this era.
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@OPEROMANO
@OPEROMANO
4 months ago
Muchos cantan y le piden a sectores que imiten cantar con sus instrumentos....siempre el canto...
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@hrvojebartulovic7870
@hrvojebartulovic7870
3 months ago
I'm afraid I'll always be an isolator, a semiconductor at best!
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2 replies
@juanmarinesparcia734
@juanmarinesparcia734
4 months ago
Una preciosidad si.
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@mildredwilliams8107
@mildredwilliams8107
1 month ago
This is the video I neede to see. Thank you! 🤗👍
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@kobusdutoitbosman6240
@kobusdutoitbosman6240
4 months ago
a gift to those few masters truly capable ~ and more
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@giovanelliartistmanagement3940
@giovanelliartistmanagement3940
4 months ago
Stupendo grazie !
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@kobusdutoitbosman6240
@kobusdutoitbosman6240
4 months ago
unending depths of discovery into a language of the few and senses of the rare and blessed
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@leo5208
@leo5208
4 months ago
Flutist Maurice Sharp at 1:36:24.
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@jameschavez6400
@jameschavez6400
4 months ago
I’m here to put rides&hearts in memory of 🥀👏-jascha Heifetz❤️🎊🥀🥀and Benjamin 🪦Britten🥀🥀🌹🥰❤️
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@paulvesely4773
@paulvesely4773
3 months ago
The first conductor featured in this video was Toscanini.. I immediately got very interested. When Leonard Bernstein showed up I lost interest. Bernstein launched an era when conductors became performers and the performance became more about them than either the composer / the composition or the orchestra.
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@fransescrivamoreno4449
@fransescrivamoreno4449
1 month ago
Chopin es el.mas grande,como compositor y pianista ,cambio la forma de tocar el piano,Litz vivio mas y le imito ,incluso rscribio una biografia de Chopin que luego retiraron por falsas acusaciones y otras mentiras,era mujeriego,lo que de mayor se afinó, Chopin improvisava Durante horas ,eso el. Resto con 5 minutos terminan,chopi foemaba parte de la gran bestia,a la vista esta que han intentado recrear sus piezas en orquesta y no ha salido bien,esta tan milimetrado todo ,que el.con el.piano lo hizo todo
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@dejanstevanic5408
@dejanstevanic5408
4 months ago
Thank you for the upload.
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@hendrixxxm637
@hendrixxxm637
2 months ago
DANKE, DANKE, DANKE from Bavaria ‼️😘
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@MrHuhn95
@MrHuhn95
1 month ago
Sir John❤
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@flagelumdei8138
@flagelumdei8138
4 years ago
Hola ! La segunda parte la tenes ? saludos
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@vincentsparkes7808
@vincentsparkes7808
4 months ago
Interesting to see that there were no female players in those earlier years.
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@marionil
@marionil
4 months ago
❤❤❤
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@albertoclaudiocantarutti6490
@albertoclaudiocantarutti6490
4 months ago
Amazing 85 y.o. Toscanini
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@furdiebant
@furdiebant
3 months ago
Sounds like they’re summing up Szell
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@enriquem.l.9723
@enriquem.l.9723
2 months ago
Please, someone could tell me who are the director from minute 6:40 ? Just after Barbirolli. The subtitles doesn't let me see his name. Thank you!
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@SVG4ever
@SVG4ever
4 months ago
1:19:50 no Mobile Phones, an almost bizarre Sight😄
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@user-gu8zd8bt9h
@user-gu8zd8bt9h
2 months ago
What's that music at 10:30?
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@cantkeepitin
@cantkeepitin
4 months ago
what is Toscanini conducting at 1:09:30 ?
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@712niji
@712niji
2 months ago
Merci
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@timw2498
@timw2498
4 months ago
It’s esoteric at the very least.
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@franckranaivo666
@franckranaivo666
4 months ago (edited)
❤🪢💐🥰🌺📃🌿🇻🇦⛑✝️⛑🇻🇦🌿✒📃🌺🥰💐🪢🙋♂️🍋🇲🇬😊❤📃🌺🥰💐🪢🦊🌺💐🪢😇🦁💒🎶🍋🌺💒🎶🇲🇬❤🌿✒📃🍋🌺💮⛑🇻🇦🙋♂️
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@paolo_benda
@paolo_benda
3 weeks ago
Ich bitte, den Titel in "The Art of speaking about Conducting 1" zu verändern.
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@user-jc6uc2ic9o
@user-jc6uc2ic9o
1 month ago (edited)
What's that music at 6:32
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@danilocamus7126
@danilocamus7126
2 months ago
What work is preparing Si John Barbirolli at 4:42? Sorry my ignorance
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2 replies
@MarkSlaterMusic
@MarkSlaterMusic
3 months ago
I think a lot of this performance is for video
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@ayazdani88
@ayazdani88
2 months ago
1:53:54
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@lawrencetendler7747
@lawrencetendler7747
4 months ago
What about Bus Conductors ?
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@user-gz7qe8ls9j
@user-gz7qe8ls9j
4 months ago
Unrtunally many legeds has bad sign technic, arms go too lazy and wihout infirmation
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@janklaas6885
@janklaas6885
4 months ago
📍1:17:58
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@francescostellato2342
@francescostellato2342
3 months ago
E Georg Solti?
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@Fritz_Maisenbacher
@Fritz_Maisenbacher
4 months ago
Karajan fuchtbar. Zum furtlaufe
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2 replies
@francescostellato2342
@francescostellato2342
3 months ago
E Claudio Abbado?
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@The6zero4
@The6zero4
3 months ago
i never liked the Stokowski sound.
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@Ace-dv5ce
@Ace-dv5ce
4 months ago
They’re just waving a stick around. Nothing great about that, the music isn’t coming from their magic wands I’m sorry…
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@Pearlbitch
@Pearlbitch
4 months ago
Narrator Michael Gambon?
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