Wednesday, January 08, 2014

Bill Gates & Mark Zuckerberg by Kevin Kelleher --FORTUNE


Bill Gates 2.0? Keep dreaming, Mr. Zuckerberg
January 8, 2014: 12:49 PM ET

Zuckerberg practices the realpolitik, while Gates is a die-hard ideologue.

 If you came of age after Microsoft (MSFT) dominated the technology industry, you might well look at Bill Gates' philanthropic efforrs and call him a hero. Others who had to compete against the de-facto monopoly that was Microsoft under Bill Gates might see things differently. To them, he was a vampiric force that fed on the lifeblood of software innovation.
Then there are people who nostalgically call Gates a hero, not for what he's doing today, but for what he did back at Microsoft. Or at least there's one: Mark Zuckerberg.
In September, Zuckerberg said at a conference that Gates was his hero when he was growing up. When his interviewer, Michael Arrington, compared Gates to Darth Vader, Zuckerberg disagreed, saying Gates "one of the greatest visionaries that our industry has ever had."
Which raises the question: Now that Gates has moved on from the tech industry, can Zuckerberg become to our era what Gates was in his? Is Facebook (FB) the new Microsoft?
Let's compare them. Both of their companies were the first to build a large scale of users in an emerging tech industry. Both are headstrong visionaries who convey a sometimes bashful, intermittently garrulous public image yet who can be cold-blooded in business. Both, famously, are Harvard dropouts. And both see business success not in terms of how good a product or service is, but in how widely it can be disseminated.
MORE: Mulally is staying: Another boost for Ford
As Zuckerberg explained back in September. "Bill Gates ran one of the most mission-driven companies I can think of. Microsoft had a great mission. To put a computer on every desktop and in every home." Microsoft's ability to bring concrete change in the world was inspiring Zuckerberg, he said. And Zuckerberg's company has brought just as much change, if not more so.
But there are important differences too. Facebook and Microsoft came to dominate their industries in different ways. The software industry Microsoft dominated was different from the social web. Every user had to pay for an operating software that was installed computer by computer and that was costly to upgrade. Facebook's extensive code exists largely in the cloud and is free to use.
Microsoft viewed the software industry as a zero-sum game, where a sale to competitors was a loss to Microsoft. Facebook has repeatedly said the Internet isn't a zero-sum game. Consequently, Microsoft focused on controlling the distribution of PC software. Facebook focuses on capturing its users' attention so it can draw in more ad dollars.
It's much harder for a company to come close to monopolizing a technology industry in the age of the Internet, where open-source software and globally distributed networks make it easy for rivals to come at you. And yet, in some ways, Zuckerberg has built Facebook to look like what Microsoft might have become if it had nailed the Internet early on.
Styles of dominance are different. Both companies blatantly copied successful features of others, but Microsoft would copy from partners, even if it meant putting them out of business. Facebook, in the age of the acqi-hire, used threats of copying as a cudgel to drive rivals into acquisition. So Gates at Microsoft was hated, while Zuckerberg really isn't. (Some don't want to work with Zuckerberg, however, as Twitter and Snapchat both rebuffed generous offers from Facebook.)
That may be because Gates didn't care whether anyone liked him or not. His brand of world domination is content to inspire fear, if not respect. By comparison, Zuckerberg's attempt to win the world feels more wishy-washy. He likes to talk publicly about how reluctant he was to generate revenue at Facebook (any such claim from the CEO of a public company is as credible as a shark swearing to a vegan diet). Or how, back at Harvard, he and his roommates used to have long, idealistic talks about how the Internet could add transparency to the world.
Maybe, but the early iterations of Facebook at Harvard suggest otherwise. There's the infamous Facemash, as well as an earlier site he created to entice students to share insights on a course he failed to attend. Both were primitive social networks that crudely exploited the contributions of their users – a template that would play out again and again in Facebook's privacy policies.
So here's one difference between the hero and his follower: Bill Gates might plant a knife and watch you suffer. Mark Zuckerberg would make a thousand paper cuts and pretend you imagined them all.
Both of these approaches can help build a technology colossus, and yet neither will be beloved by consumers. But something interesting happens when these two approaches are translated to the world of philanthropy. There is a familiar ruthlessness that Bill Gates has brought to the application of his wealth to solving problems that have historically proven tough to solve. And, so far, there is a practicality to Zuckerberg's donations that have a self-serving feel to them.
More: Marissa Mayer at CES: Will her vision kickstart Yahoo's growth?
When it comes to giving money, both Gates and Zuckerberg have been, in their ways, both generous and (to borrow Zuckerberg's term) "mission-driven." The Gates Foundation has $40 billion in assets, and its work has taken the edge off a lot of bitter resentment Gates built up at Microsoft, if not silenced them completely.
Zuckerberg has moved aggressively into philanthropy much earlier in his career. He was one of the first to pledge to give the bulk of one's wealth to charity, a gesture prompting others to follow. He pledged $100 million to New Jersey public schools in 2012 and nearly a billion dollars worth of Facebook shares to a Silicon Valley non-profit last year. He's also worked with Gates to teach coding and improve broadband in schools.
So Gates and Zuckerberg are giving billions to charities in a period where such donations are sorely needed. They both deserve praise. Within the world of philanthropy – itself a tight economy competing for scarce resources – there has long been a debate over how to allocate resources efficiently. And it's here that a distinction again emerges between young Zuckerberg and old Gates.
Last year, Zuckerberg founded FWD.us, a lobbying group to push immigration and education reform. He claimed he was fighting to bring undocumented workers into the US, but never denied some would help make Facebook stronger. Zuckerberg actually said, "I can't really tell anyone how to legislate" even as FWD.us was lobbying for the immigration reform he was publicly seeking. Gates was listed as supporter of FWD.us in name, although he was less vocal about its goals.
Last year, Zuckerberg also began to talk about how important it would be to bring 5 billion people online. Forget that mobile phones and the Internet would connect much of that population in time, with or without Zuckerberg. He wanted a personal stake in that process – an investment that would make Facebook's ad-clogged news feed a rite of passage into the global middle class.
And that's when the cynical, slick practicality of Mark Zuckerberg ran afoul of the let's-cut-through-this-shit directness of his stated hero. Bill Gates had no issue with Zuckerberg's philanthropy, but when it came to connectivity over his pet projects – disease, poverty, educating the disenfranchised – he drew the line.
"As a priority? It's a joke," Gates said to the Financial Times when asked of Zuckerberg's plans to connect the world's population. "Hmm, which is more important, connectivity or malaria vaccine? If you think connectivity is the key thing, that's great. I don't."
And there you have Bill Gates, and there you have his self-appointed acolyte Mark Zuckerberg. Gates is brutally direct. Zuck is insidiously, disingenuously, sugar-coatedly indirect. Gates will push his vision at any cost, even if that cost is extinguishing better technologies, or hacking around rigid social policies.
Zuck, meanwhile, is still stuck in that executive mindset where you act and talk like you're helping the world, but you do it just to further the interests of your company. In 20 or so years, the philanthropy of Mark Zuckerberg may be so great that Bill Gates is just the footnote as the guy who inspired him. Or it could be that he's just another business leader who amassed a great fortune and was forgotten.
The operating software Gates forced into hundreds of millions of homes and businesses may have been inferior in quality to what Zuckerberg enticed a billion-plus lives into. But much of what Zuckerberg won has to do with the fact that, thanks to the Internet, technology has scaled up to more of the world's population. What would Zuckerberg be in the age of Gates? Or Gates (as tech CEO) in the age of Zuckerberg?
Put in political terms, Zuckerberg practices the realpolitik, while Gates is a die-hard ideologue. In the business world, pure practicality can carry you from quarter to quarter, while the ideologues can be the one who engineer broadening and more lasting change. Zuckerberg's career is just getting started, but it may be Gates who has the bigger impact on the world, not just in business but in the philanthropy both men have pledged themselves to.
Posted in: Bill Gates, Business, CEO, Facebook, FB, Internet, Mark Zuckerberg, Microsoft, MSFT, philanthropy, software


Saturday, December 28, 2013

學片假名:

學日語片假名

發音平假名片假名中文字片假名記憶竅門
seせセ世形似, 台語發音
moもモ毛形似(少一撇), 台語發音
re(le)れレ礼形似(右旁), 台語發音
kaかカ加形似(左旁), 台語發音
kuくク久形似(左旁), 台語發音
yaやヤ也形似, 台語發音
uうウ宇形似(上半部), 台語發音
eえエ会形似(下半部), 台語發音
su ス須形似(右旁上及下結合), 台語發音
yuゆユ由形似 (少一豎跟十字), 台語發音
發音平假名片假名中文字片假名記憶竅門
kiきキ幾形似, 國語發音
nuぬヌ奴形似右旁, 國語發音
ra(la)らラ拉形似右旁, 國語發音
ri(li)りリ利形似右旁, 國語發音
soそソ受形似平假名上部, 國語發音
ha ハ八形似, 國語發音, b變h
hi ヒ比形似左旁, 國語發音, b變h
huふフ不形似左旁, 國語發音, b變h
a ア阿形似左旁, 國語發音
i イ伊形似左旁, 國語發音
yo ヨ由形似右旁, 國語發音
ru(lu) ル鹿形似(下方左中結合), 國語發音
ro(lo) ロ露形似右下, 國語發音
發音平假名片假名中文字片假名記憶竅門
naなナ奈與平假名上部形似, 國語發音, 尾巴i音省略
ta タ多形似, 國語發音, 尾巴ㄨㄛ改成ㄚ
ti(chi) チ千形似, 國語發音, 尾巴n音省略
tu(tsu) ツ川形似, 國語發音, 尾巴n音省略
te テ天形似左/上部, 國語n音被省略
ma マ万形似,台語發音,尾巴n音省略
sa サ散左上形似, 國語發音, 尾巴n音省略
no ノ乃左旁形似, 國語發音, 尾巴ㄞ改成ㄡ
mu ム牟形似 (上半部), 牛叫聲
n ン冷形似 (左旁), ㄌ音省略, 剩n
wo ヲ乎形似,台語發音, h變w
ke ケ介形似, 台語發音, 尾巴ai音變e
ne ネ礼形似左旁, 台語發音, le變ne
日文中文翻譯記憶撇步心中OS
こんにちは你好(空你去挖)又罵人空,又罵挖…
こんばんは晚上好(空板挖)(音似傍晚)雖然罵人空, 到有說得像傍晚
おはようござい
ます
早安(挖 嗨喲 五十一嘛吸) 早上起來就"嗨喲", 當挑夫嗎?
お休(やす)みなさい晚安(挖 也吸米 納屎)宵夜也太難吃了, 米用吸的,像大便
お元気(げんき)ですか您還好吧,相當於英語的“How are you”打招呼的方式(挖 煎去 在吸腳)  煎去 在吸腳, 還好吧,還沒起笑吧
いくらですか多少錢(一克拉 在吸腳)水果買一克拉, 
すみません不好意思,麻煩你…(屎米馬線)"屎米" 在斑"馬線"
いただきます那我開動了(吃飯動筷子前)(姨太太, 氣嘛吸)姨太太, 氣嘛是要吸
ごちそうさまでした我吃飽了(吃完後)(五七索 三媽 壓死塔)吃飽後, 要打牌, 會被三個媽媽釘死
ありがとうございます/した謝謝(阿里卡鬥 五十一嘛吸)只講(阿里卡鬥), 也可以
どういたしまして別客氣(倒一塔 死嬤死爹)交換殺人, 不用客氣
日本人其實很沒禮貌,不是罵人家空,就是講挖(洌…),或者是台語的挖(O)。以下撇步,如果很粗魯,都是日本人的錯,不是小弟的錯,斜體請以台語發音。

Friday, December 20, 2013

蘇軾論書


論書
作者:蘇軾 宋
一、創作論
書唐氏六家書後
永禪師書,骨氣深穩,體並眾妙,精能之至,反造疏淡。如觀陶彭澤詩,初若散緩不收,反覆不已,乃識其奇趣。今法帖中有雲「不具釋智永白」者,誤收在逸少部中,然亦非禪師書也。雲「謹此代申」,此乃唐未五代流俗之語耳,而書亦不工。歐陽率更書,妍緊拔群,尤工於小揩,高麗遣使購其書,高祖嘆曰:「彼觀其書,以為魁梧奇偉人也。」此非知書者。凡書像其為人。率更貌寒寢,敏語絕人,今觀其書,勁險刻厲,正稱其貌耳。
褚河南書,清遠蕭散,微雜隸體。古人論書者,兼論其平生,苟非其人,雖工不貴也。河南固忠臣,但有譖殺劉泊一事,使人怏怏。然余嘗考其實,恐劉泊末年褊忿,實有伊、霍之語,非譖也。若不然,馬周明其無此語,太宗獨誅泊而不問周,何哉?此殆天后朝許、李所誣,而史官不能辨也。
張長史草書,頹然天放,略有點畫處,而意態自足,號稱神逸。今世稱善草書者,或不能真行,此大妄也。真生行,行生草,真如立,行如行,草如走,未有未能行立而能走者也。今長安猶有長史真書《郎官石柱記》,作字簡遠,如晉、宋間人。顏魯公書,雄秀獨出,一變古法,如杜子美詩,格力天縱,奄有漢、魏、晉、宋以來風流,後之作者,殆難復措手。
柳少師書,本出於顏,而能自出新意,一字百金,非虛語也。其言心正則筆正者,非獨諷諫,理固然也。世之小人,書字雖工,而其神情終有睢盱側媚之態,不知人情隨想而見,如韓子所謂竊斧者乎,抑真爾也?然至使人見其書而猶憎之,則其人可知矣。余謫居黃州,唐林夫自湖口以書遺余,云:「事家有此六人書,子為我略評之而書其後。」林夫之書過我遠矣,而反求於予,何哉?此又未可曉也。無豐四年五月十一日,眉山蘇軾書。
書吳道子畫後
智永創物,能者述焉,非一人而成也。君子之於學,百工之於技,自三代歷漢至唐而備矣。故詩至於杜子美,之文至於韓退之,書至於顏魯公,畫至於吳道子,而古今之變,天下之能事畢矣。
跋王晉卿所藏蓮華經
凡世之所貴,必貴其難。其書難於飄揚,草書難於嚴重,大字難於結密而無間,小字難於寬綽而有餘。今君所藏,抑又可珍,卷之盈握,沙界已周,讀未終篇,目力可廢,乃知蝸牛之角可以戰蠻觸,棘刺之端可以刻沐猴。嗟吧之餘,聊題其末。
論書
書必有神、氣、骨、血、肉,五者缺一,不為成書也。
論草書
書初無意於佳,乃佳爾。草書雖是積學乃成,然要是出於欲速。古人云「匆匆不及,草書」,此語非是。若「匆匆不及」,乃是平時亦有意於學。此弊之極,遂至於周越、仲翼,無足怪者。事書雖不甚佳,然自出新意,不踐古人,是一快也。
跋王鞏所收藏真書
僧藏真書七紙,開封王君鞏所藏。君侍親平涼,始得其二。而兩紙在張鄧公家。其後馮公當世,又獲其三。雖所從分異者不可考,然筆勢奕奕,七紙意相發生屬也。君鄧公外孫,而與當世相善,乃得而合之。余嘗愛梁武帝評書,善取物象,而此公尤能自譽,觀者不以為過,信乎其書之工也。然其為人儻蕩,本不求工,所以能工此,如沒人之操舟,無意於濟否,是以覆卻萬變,而舉止自若,其近於有道者耶?
跋山穀草書
曇秀來海上,見東坡,出黜安居士草書一軸,問此書如何?坡云:「張融有言:『不恨臣無二王法,恨二王無臣法。』吾於黜安亦云。」他日黜安當捧腹軒渠也。
跋魯直為王晉卿小書爾雅 魯直以平等觀作欹側字,以真實相出遊戲法,以磊落人書細碎事,可謂三反。
跋錢君倚書遭遺教經
人貌有好醜,而君子小人之態不可掩也。言有辯訥,而君子小人之氣不可欺也。書有工拙,而君子小人之心不可亂也。錢公雖不學書,然觀其書,知其為挺然忠信禮義人也。軾在杭州,與其子世雄為僚,因得其所書佛《遺教經》刻石,峭峙有勢不回之。孔子曰:「仁者其言也仞。」今君倚之書,蓋仞雲。將至曲江,船上灘欹側,撐者百指,篙聲石聲葷然,四頋皆濤瀨,士無人色,而吾作字不少衰,何也?吾更變亦多矣,置筆而起,終不能一事,孰與且作字乎?
跋君謨飛白
物一理也,通其意,則無適而不可。分科而醫,醫之衰也。佔色而畫,畫之陋也。和、緩之醫,不知老少,曹、吳之畫,不擇人物。謂彼長於是則可也,曰能是不能是則不可。世之畫篆不兼隸,行不及草,殆未能通其意者也。如君謨真、行、草、隸,無不如意,其遺力余意,變為飛白,可愛而不可學,非通其意,能如此乎?
書張長史草書
張長史草書,必俟醉,或以為奇,醒即天真不全。此乃長史未妙,猶有醉醒之辯,若逸少何嘗寄於灑乎?僕亦未免此事。 題醉草
吾醉後能作大草,醒後自為不及。然醉中亦能作小楷,此乃為奇耳。跋文與可論草書後與可云:「余學草書幾十年,終未得古人用筆相傳之法。後因見道上斗蛇,遂得其妙。乃知顛、索之各有所悟,然後至於此耳。」留意於物,往往成趣。昔人有好章草,夜夢,則見蛟蛇糾結。數年,或晝日見之,草書則工也,而所見亦可患。與可之所見,豈真蛇耶?抑草書之精也?予平生好與與可劇談大噱,此語恨不令與可聞之,令其捧腹絕倒也。
跋懷素帖
懷素書極不佳,用筆意趣,乃似周越之險勢劣。此近世小人所作也,而堯夫不解辯,亦可怪矣。
題魯公放生池碑
湖州有《顏魯公放生池碑》,載其所上肅宗表云:「一日三朝,大明一天子之孝;問安侍膳,不改家人之禮。」魯公知肅宗有愧於是也,故以此諫。孰謂公區區於放生哉?
跋葉致遠所藏永禪師千文
永禪師欲存王氏典刑,以為百家法祖,故舉用舊法,非不能出新意求變態也,然其意已逸於繩墨之外矣。雲下歐、虞,殆非至論,若復疑其臨放者,又在此論下矣。
題筆陣圖
筆墨之跡,托於有形,有形則有弊。苟不至於無,而自樂於一時,聊寓其心,忘憂晚歲,則猶賢於博弈也。雖然,不假外物而有守於內者,聖賢之高致也。惟顏子得之。

二、技法論
題二王書
筆成冢,墨成池,不及羲之即獻之。筆禿千管,墨磨萬鋌,不作張芝作索靖。
書所作字後
獻之少時學書,逸少從後取其筆而不可,知其長大必能名世。僕以為不然。知書不在於筆牢,浩然聽筆之所之而不失法度,乃為得之。然逸少所以重其不可取者,獨以其小兒子用意精至,猝然掩之,而意未始不在筆,不然,則是天下有力者莫不能書也。
跋庾徵西帖
吳道子始見張僧繇畫,曰:「浪得名耳。」已而坐臥其下,三日不能去。庾徵西初不服逸少,有「家雞野鶩」之論,後乃吧其為伯英再生。今觀其石,乃不逮子敬遠甚,正可比羊欣耳。
書張長史書法
世人見古有桃花司道者,爭頌桃花,便將桃花作飯吃。吃此飯五十年,轉沒交涉。正如張長史見擔夫與公主爭路,而得草書之法。欲學長史書,日就擔夫求之,豈可得哉?
書張少公判狀
張旭常熟尉,有父老訴事,為判其狀,欣然持去。不數日,復有所訴,亦為判之。他日復來,張甚怒,以為好訟。叩頭曰:「非敢訟也,誠見少公筆勢殊妙,欲家藏之爾。」張驚問其詳,則其父蓋天下工書者也。張由此盡得筆法之妙。古人得筆法有所自,張以劍器,容有是理。雷太簡乃雲聞江聲而筆法盡,文與可亦見蛇斗而草書長,此殆謬矣。
記與君謨論書
作字要手熟,則神氣完實而有餘韻,於靜中自是一樂事。然常患少暇,豈於其所樂常不足耶?自蘇子美死,遂覺筆法中絕。近年蔡君謨獨步當世,往往謙讓不肯主盟。往年,予嘗戲謂君謨言,學書如溯急流,用盡氣力,船不離舊處。君謨頗諾,以謂能取譬。今思此語已四十餘年,竟如何哉?
跋君謨書賦
余評近風書,以君謨為第一,而論者或不然,殆未易與不知者言也。書法當自小楷出,豈有正未能而以行、草稱也?君謨年二十九而楷法如此。知其本末矣。
跋陳隱居書
陳公密出其祖隱居先生之書相示。軾聞之,蔡君謨先生之書,如三公被袞冕立玉墀之上。軾亦以為學先生之書,如馬文淵所謂學龍伯高之為人也。書法備於正書,溢而為行、草,未能正晝而能行、草,猶未嘗莊語而輒放言,無是道也。
跋歐陽文忠公書
歐陽文忠公用尖筆干墨,作方闊字,神采秀髮,膏潤無窮。後人觀之,如見其清眸豐頰,進趨裕如也。
跋王荊公書
荊公書得無法之法,然不可學,學之則無法。故僕書盡意作之似蔡君謨,稍得意似楊風子,更放似言法華。
跋黃魯直草書
草書只要有筆,霍去病所謂不至學古兵法者為過之。魯直書。 去病穿城蹋鞠,此正不學古法之過也。學即不是,不學亦不可。子瞻書。
跋秦少游書
少游近日草書,便有東晉風味,作詩增奇麗。乃知此人不可使閒,遂兼百技矣。技進而道不進,則不可,少游乃技道兩進也。
書硯
硯之發墨者必費墨筆,不費筆則退墨,二德難兼,非獨硯也。大字難結密。小字常侷促;真書患不放,草書苦無法。茶苦患不美,酒美患不辣。萬事無不然,可一大笑也。

三、品評論
記潘延之評予書
潘延之謂子由曰:「尋常於石刻見子瞻書,今見真跡,乃知為顏魯公不二。」嘗評魯公書與杜子美詩相似,一出之後,前人皆廢若予書者,乃似魯公而不廢前人者也。
書贈宗人鎔
宗人鎔,貧甚,吾無以濟之。昔年嘗見李駙馬璋以五百千購王夷甫,吾書不下夷甫,而其人則吾之所恥也。書此以遺生,不得五百千,勿以予人。然事在五百年外,價值如是,不亦鈍乎?然吾佛一坐六十小劫,五百年何足道哉!東坡居士。
自評字
昨日見歐陽叔弼。云:「子書大似李北海。」予亦自覺其如此。世或以為似徐書者。
題自作字
東坡平時作字,骨撐肉,肉沒骨,未嘗作此瘦妙也。宋景文公自名其書鐵線。若東坡此貼,信可謂雲爾已矣。元符三年九月二十四日,游三州岩回,舟中書。
題子敬書
子敬雖無過人事業,然謝安欲使書宮殿榜,竟不敢為口,其氣節足嘉者。此書一卷,尤可愛。
題晉武書
昨日閣下,見晉武帝書,甚有英偉氣。乃知唐太宗書,時有似之。魯君之宋,呼於垤澤之門,門者曰:「此非吾君也,何其聲之似吾君也!」「居移氣,養移體」,信非虛語矣。
題蕭子雲書
唐太宗評蕭子雲書曰:「行行如紆春蚓,字字若綰秋蛇。」今觀其遺蹟,信虛得名耳。
題顏魯公書畫贊
顏魯公平生寫碑,惟《東方朔畫贊》為清雄,字間櫛化,而不失清遠。其後見逸少本,乃知魯公字字臨此書,雖大小相懸,而氣韻良是。非自得於書,未易為言此也。
雜評
楊凝式書,頗類顏行。李建中書,雖可愛,終可鄙;雖可鄙,終不可棄。李國士本無所得,舍險瘦,一字不成。宋宣獻書,清而復寒,正類李留台重而復寒,俱不能濟所不足也。蘇子美兄弟,俱太俊,非有餘,乃不足也。蔡君謨為近世第一,但大字不如小字,草不如真,真不如行也。
論君謨書
歐陽文忠公論書云:「蔡君謨獨步當世」此為至論。言君謨行書第一,小楷第二,草書第三。就其所長而求其所短,大字為小疏也。天資既高,輔以篤學,其獨步當世,宜哉!近歲論君謨書者,頗有異論,故特明之。
評楊氏所藏歐蔡書
自顏、柳氏沒,筆法衰竭,加以唐末喪亂,人物落磨滅,五代文采風流,掃地盡矣。獨楊公凝式筆跡雄傑,有二王、顏、柳之餘,此真可謂書之豪傑,不為時世所汩沒者。國初,李建中號為能書,然格韻卑濁,猶有唐未以來衰陋之氣,其餘未見有卓然追佩前人者。獨蔡君謨言書,天資天資既高,積學深至,心手相應,變態無窮,遂為本朝第一。然行書最盛,小楷次之,草書又次之,大字又次之,分、隸小劣。又嘗出意外飛白,自言有關心翔龍舞鳳之勢,識者不以為過。歐陽文忠公書,自是學者所共儀刑,庶幾如見其人者。正使不工,猶當傳實,況其精勤敏妙,自成一家乎?楊君畜二公書,過黃州,出以相示,偶為評之。世多稱李建中、宋宣獻。此二人書,僕所不曉。宋寒而李俗,殆是浪得名。惟近日蔡君謨,天資既高,而學亦至,當為本朝第一。
論沈遼米芾書
自君謨死後,筆法衰絕。沈遼少時本學其家傳師者,晚乃諱之,自雲學子敬。病其似傳師也,故出私意新之,遂不如尋常人。近日米芾行書,王鞏小草,亦頗有高韻,雖不逮古人,然亦必有傳於世也。
與米元章札
某啟。嶺海八年,親友曠絕,亦未嘗關念。獨念吾元章邁往凌雲之氣,清雄絕俗之文,超妙入神之字,何時見之,以洗我積年瘴毒耶!今真見之矣,余無足言者。不二。

PD-icon.svg本作品在全世界都屬於公有領域,因為作者逝世已經超過100年,並且於1923年1月1日之前出版。

Thursday, December 12, 2013

雨霖鈴


《雨霖铃》①

宋 柳永

【原文】
寒蝉凄切,对长亭晚,骤雨初歇。②都门帐饮无绪,③留恋处,④兰舟催发。⑤执手相看泪眼,竟无语凝噎。⑥念去去、千里烟波,⑦暮霭沉沉楚天阔。⑧
多情自古伤离别,更那堪、冷落清秋节!今宵酒醒何处?杨柳岸、晓风残月。此去经年,⑨应是良辰好景虚设。便纵有千种风情,更与何人说!⑩

【注释】
①此调原为唐教坊曲。相传唐玄宗避安禄山乱入蜀,时霖雨连日,栈道中听到铃声。为悼念杨贵妃,便采作此曲,后柳永用为词调。又名《雨霖铃慢》。上下阕,一百零三字,仄韵。
②骤雨:阵雨。
③都门帐饮:在京都郊外搭起帐幕设宴饯行。无绪;没有情绪,无精打采。
④留恋处:一作“方留亦处”。
⑤兰舟:据《述异记》载,鲁班曾刻木兰树为舟。后用作船的美称。
⑥凝噎:悲痛气塞,说不出话来。即是“凝咽”。
⑦去去:分手后越来越远。
⑧暮霭:傍晚的云气。沉沉:深厚的样子。楚天:南天。古时长江下游地区属楚国,故称。
⑨经年:经过一年或多年。
⑩风情:男女恋情。

【译文】
秋后的知了叫得是那样地凄凉悲切,面对着和亭,正是傍晚时候,一阵急雨刚停住。在汴京城门外饯行的帐篷里喝着酒,没有好心绪,正在依依不舍的时候,船上的人已催着出发。握着手互相瞧着,满眼泪花,直到最后也无言相对,千言万语都噎在喉间说不出来。想到这回去南方,这一程又一程,千里迢迢,一片烟波,那夜雾沉沉的楚地天空竟是一望无边。

自古以来多情的人最伤心的是离别,更何况又逢这冷落凄凉的秋天,这离愁哪能经受得了!谁知我今夜酒醒时身在何处?怕是只有杨柳岸边,凄厉的晨风和黎明的残月了。这一去长年相别,(相爱的人不在一起,)我料想即使遇到好天气、好风景,也如同虚设。就纵然有满腹的情意,又再同谁去诉说呢?

【鉴赏】

柳永多作慢词,长于铺叙。此词表现作者离京南下时长亭送别的情景。上片纪别,从日暮雨歇,送别都门,设帐饯行,到兰舟摧发,泪眼相对,执手告别,依次层层描述离别的场面和双方惜别的情态,犹如一首带有故事性的剧曲,展示了令人伤心惨目的一幕。这与同样表现离情别绪但出之以比兴的唐五代小令是情趣不同的。北宋时柳词不但都下传唱,甚至远及西夏,“凡有井水饮处,即能歌柳词”(《避暑录话》)。柳词盛行于市井巷陌,同他这种明白晓畅、情事俱显的词风不无关系。下片述怀,承“念”字而来,设想别后情景。刘熙载《艺概》卷四:“词有点有染。柳耆卿《雨霖铃》云‘多情自古伤离别,更那堪冷落清秋节。今宵酒酲何处,杨柳岸、晓风残月’。上二句点出离别冷落,‘今宵”二句,乃就上二句意染之”。确实,“今宵”二句之所以被推为名句,不仅在于虚中有实,虚景实写,更因为以景“染”情、融情入景。“今宵酒醒何处”,遥接上片“帐饮”,足见虽然“无绪”却仍借酒浇愁以致沉醉;“杨柳岸、晓风残月”,则集中了一系列极易触动离愁的意象,创造出一个凄清冷落的怀人境界。“此去”以下,以情会景,放笔直写,不嫌重拙,由“今宵”

想到“经年”,由“千里烟波”想到“千种风情”,由“无语凝噎”想到“更与何人说”,回环往复又一气贯注地抒写了“相见时难别亦难”的不尽愁思。

宋人论词往往有雅俗之辨,柳词一向被判为“俗曲”。此词上片中的“执手相看泪眼”等语,确实浅近俚俗,近于秦楼楚馆之曲。但下片虚实相间,情景相生,足以与其他著名的“雅词”相比,因此堪称俗不伤雅,雅不避俗。



柳 永·《雨霖铃》评解及赏析
[编辑本段]
★评解
寒蝉凄切①,对长亭晚,骤雨初歇。都门帐饮②无绪,留恋处,兰舟催发,执手相
看泪眼,竟无语凝噎③。
念去去千里烟波,暮霭沉沉楚天阔。 多情自古伤离别,更那堪、冷落清秋节。今
宵酒醒何处?杨柳岸,晓风残月。此去经年④。应是良辰好景虚设。便纵有千种风情⑤,
更与何人说。
【作者简介】
柳永,字耆卿,初名三变,福建崇安人。他一生仕途坎坷,到晚年才中进士。在北
宋著名词人中,他的官位最低,但在词史上却占有重要地位。他是北宋第一个专力写词
的作者,也是第一个大量写作慢词的词人。他能自制新曲,音律谐婉。他的词,铺叙展
衍,不事雕饰。
在宋词的发展中,有开疆拓土之功。他的词通俗浅近,旖旎近情。深受人们的喜爱。
【注释】
①凄切:凄凉急促。
②都门:指汴京。 帐饮:设帐置酒宴送行。
③凝噎:喉咙哽塞,欲语不出的样子。
④经年:年复一年。
⑤风情:风流情意。
【评解】
《雨霖铃》被称为宋金十大名曲之一。本篇《雨霖铃》是柳永的十大代表作之一。柳永生卒年不详,字耆卿,初名三变,排行第七,故称柳七,福建崇安人。因他的一首《鹤冲天》中有“才子词人,自是白衣卿相”,以及“忍把浮名,换了浅斟低唱”等词句。仁宗知道后认为柳永过于狂妄,不准录取,而招致他屡试不第。一生穷困潦倒,仕途坎坷,以致颓废放纵。晚年才考取进士,做过屯田员外郎一类的小官,世称柳屯田。柳永是北宋时代大量制作慢词的第一人。他通晓音律,熟悉旧调,并善于吸收民间语言,明白晓畅,流传甚广。“凡有井水饮处,既能歌柳词”(叶梦得《避暑录话》卷三)。作品概括为三类:一是写都市生活的繁华,二是男女情爱的苦痛,三是羁旅行役的悲伤。其作品往往把写景、叙事、抒情融为一体,使慢词发展成为与小令双峰并峙的成熟的文学样式。作品集《乐章集》。

《雨霖铃》这首词以冷落秋景为衬托,淋漓渲染了惜别的场景,进而推测别后的铭心刻骨的思念。层层铺叙,情景交融,委婉多致。表现了柳词“细密而妥溜,明白而家常。”(刘熙载〈〈艺概〉〉)但全词情调过于缠绵,低沉伤感,有消极影响。

词以“伤离别”为主线,目录清晰。开首三句道出时间、地点、景物。以凄清景色揭开了离别的序曲:清秋节令的“寒蝉”,衬托着“凄切”悲凉秋景。人将别、日已晚、雨乍停、蝉声切。惜别的长亭,凄凉的深秋。壮士分别尚且悲伤,更何况这对一别可能成永诀的恋人呢?“都门”三句,写离别时的心情。设宴帐中,本欲多“留恋”片刻,怎奈“兰舟催发”,这样的饯别酒,饮起来怎能不“无绪”?欲留不得,欲饮无绪,矛盾之极。“兰舟”,相传鲁班刻木兰树为舟(见〈〈述异记〉〉),后用兰舟作船的美称。“执手”两句,将惜别推向高潮。手拉着手面对依依惜别的恋人,泪眼对着泪眼,纵有千言万语,因悲痛气塞而一句也说不出来。这是分别时的情景。对照苏东坡的悼亡妻的《江城子》中“相顾无言,唯有泪千行”我们能更好地理解。以上三小节极尽了回环、顿挫、吞吐之能事。“念去去”两句,则承上启下,笔随意转,有如浩瀚长江,一泻千里。千里烟波,楚天空阔,设想到别后的道路遥远而漫长。就此一别,人各东西,对情人的思念有如楚地沉沉烟波,伴随情人左右。

下片以“多情自古伤离别”起承上下文。人间最苦是情种,“离别”是导致“最苦”的直接原因。“更那堪”在“冷落清秋节”之时。“今宵酒醒何处?杨柳岸,晓风残月。”酒入愁肠愁更愁,词人因“无绪”而饮的闷酒极易使人沉醉。设想一下,词人追随载着情人的兰舟,沿着栽满杨柳的汴河岸,一直追下去,直到残月西沉,晓风渐起,才吹醒痴情的词人。杨柳是古代最能代表惜别之物,故汴水两岸广栽杨柳。“杨柳岸,晓风残月”是脍炙人口的千古名句,代表了柳词通俗,以白描见长的风格。宋代俞文豹《吹剑录》载:东坡在玉堂,有幕士善歌,因问:“我词何如柳七?”对曰:“柳郎中词,只合十七八岁女郎,执红牙板,歌‘杨柳岸,晓风残月’。学士词〈指苏东坡的词〉须关西大汉、铜琵琶、铁绰板,唱‘大江东去’”。这段话说明柳词婉约缠绵,苏词豪放旷达两种词风。“此去经年----"由今夕推及经年,由眼前的“无语凝咽”设想到“暮蔼沉沉楚天阔”,更推及“便纵有千种风情,更与何人说。”一波三叹,想象别后相思的苦况,更深一层。“凄、苦、惨、悲、痛、恨、愁”贯穿始终,令人不忍再读。这首词写来极有层次、曲折回环,以千种风情衬尽了羁旅愁苦,人间别恨。真可谓想见难,别更难。